Researchers at San Francisco State University have announced the results of a recent study… Their conclusion is that “employees who did something creative after work – like knitting, drawing or even playing a video game that required creative thinking – were more likely to be helpful and creative problem solvers on the job“.  Perhaps justification to ask your boss for a knitting break every day?

Remember the epic Norwegian knitting TV show? A company in the US has bought the U.S. rights for the concept, and is planning to make “ambiance” shows for US release this year. We can only hope that they are inspired by the success of last autumn’s 9-hour knitting epic and produce something similar….

Image from the Jamieson and Smith blog. They own it. Click through to the article to see it in its full glory.

Some lovely Shetland eye-candy on the Jamieson and Smith blog truly wonderful Fair Isle handknits being worn at a meeting of the Scottish Rural Women’s Institute.

CSI: Shetland? (Craft Scene Investigation, that is…)

Staying in Scotland, historical knitting territory, I very much enjoyed this post on on Elizabeth Lovick’s blog post about her investigations into a 19th century lace pattern.

Loved this story about an initiative to provide all finishers of this year’s Boston Marathon with a hand-knit scarf. Does anyone have any additional info about the project?

A fantastic vintage row-counter… the “Little Dorrit”. Sadly no history on it, but what a great little piece of knitting equipment.

Speaking of colorwork and eye candy, check out this colorwork variation of a pair of cabled mitts. Maureen Fould’s original version of the “Intertwined” design was a single color… the two color version knocked her (and my) socks off.

I’m moving right along with sampling for my Saranac Shawl.

I knit swatches this week!

All three colors plied on themselves.

All three colors plied on themselves. Colors from left 1, 2 ,3.

Single colorway swatches.  From left, colors 1, 2,3

Single colorway swatches.
From left, colors 1, 2,3

The blended colorways:

yarns from blended colorways. Top (L, R) 1+2, 1+3 Bottom (L,R) 2+3, all 3

Yarns from blended colorways.
Top (L, R) 1+2, 1+3
Bottom (L,R) 2+3, all 3

Top to bottom: 1+2, 2+3 and 1+2+3

Top to bottom: 1+2, 2+3 and 1+2+3

I still like the blended colorways better knitted. I don’t like the combination of colors 1+3 at all for this project, so I tossed that possibility. The other 3 blended yarns I knit into bigger swatches to see how the colors would play out.

blended big swatches

Top to bottom: 1+2, 2+3 ans 1+2+3

Two of them I liked as little swatches and not as much bigger, 1+2+3 and 1+3. I really don’t like how the colors mixed in to a weird almost pastel in spots in 1+3.

1+2 I was kind of, meh on as a small swatch. I liked the clay color a lot but wasn’t sure how the other brighter colors would stripe around it. Knitted bigger I I like it, and think it will be lovely in the shawl.

The other thing I learned with this exercise is part of my ongoing mystery and battle with gauge. I can see in the photos that when I relax as I knit a bigger swatch, my gauge loosens up quite a bit – at least 1/2 of a stitch and inch. I changed nothing, the yarn was the same and the needles were the same, I just knit a bigger swatch paying less attention to it.  I need to always knit a bigger swatch to get closer to project gauge.

So tell me which swatches do you like?

I’m off to spin my yarn!



Tag WorldwideA knitter in LA recently completed a rather epic project: a knitted car cozy.

Judy Gregory - knitter, yarn sales rep and costumer for film and TV – was commissioned to create the cozy by an advertising agency for a print ad for Zurich Insurance Group in the UK.

The concept of the ad was simple: “When you truly love something, you protect it in the best way.

I asked Judy about the project…

How much creative input did you have?

The client in England had a yarn they wanted and sent a small photo of a cable pattern. I simplified the cable pattern and shifted some of the stitch counts a bit to accommodate the large gauge of the yarn. After making a series of swatches, they ended up not liking the first yarn, and took my suggestion of using Kraemer Yarns Mauch Chunky Roving. Kraemer is one of the lines I represent and I knew we could get the 32 lbs of Mauch Chunky Roving and 20 balls of Mauch Chunky yarn though the mill and shipped in time to make the deadline for the shooting schedule.

We decided to use a VW Beetle as the photo car. I was happy because it’s a small car! They wanted a car that looked “European”. The photographer, Nick Meek,  had just shot a VW campaign, so it was a choice he was very happy with as well.

How did you do it? How much time did you have to do it? Did anyone help?

The Production Company had a “fit car” delivered to my house so I could take measurements. I knitted a pound of the Roving as a swatch and used it to determine how much fiber to order calculating how many square feet of the car would be need to be covered. The off side of the car was not covered, only what the camera would see.

We were working on size 35 needles and the cable length was 32” so the car cover needed to be worked in panels. I had 2 friends from my knitting guild Jewel City Knitters help with the knitting.

The design part of the project took about a week and a half. After the design decisions were made and received the fiber, the knitting took 11 days start to finish. At the end of each day I would email photos of the days’ progress to the Producer and then be available at 6:30 the next morning in case I was needed for the conference call with the client in England. They asked me to go to Florida for the photo shoot so I could take the cover as luggage and deliver it in person. They didn’t want to ship it and take the risk of it getting lost or subjected to excess heat and moisture which might cause it to felt.

What happens to the pieces afterwards?

The client took the cover back to England intending to use it for display purposes. For the print ad they digitally changed the cover from the original grey to blue to match the company logo. A month later the Producer called me asking if I could knit the off camera side, to make it a full car, and dye the grey cover blue as it appears in the print advertisement.  Because of the large size of the piece we decided to make another one that would be a full car and the correct color of blue, rather than take a chance dyeing it.

The second car cover, which was just completed, was knit in a only 9 days. This time in addition to calling upon my knitting guild friends, 4 knitters from the staff at Kraemer Yarns also knit a panel each. This cover was used for display in Zurich Switzerland at a big car show where the European car companies debut their new models.

This project was unique and seems to capture people’s imaginations. Even if they know nothing about knitting, they understand what an endeavor it is to knit for a car. Who knows, this may not be my last car cover.

There’s been a rash of articles (well, ok, two)  in the mainstream press of late, about the recent “resurgence” of knitting.  It’s always nice to see knitting talked about, but both of these pieces landed badly.

The Guardian in the UK thinks that we might like knitting because the famous people do it. Also, apparently, we do it to fill time.

Toronto’s Globe and Mail tells us that despite its “fusty” image, knitting has managed to “get its groove back”.  

Once again, we see mention of the “granny” stereotypes, our motivations misunderstood, and the work of our hands tragically undervalued.

Feisty knitter Kay Gardiner, (lawyer, author, mother and all-around smart person) decided that we should show the world what else we do. She kicked off the “ANDknitting” hashtag. The idea was to educate the Guardian and the world at large about the wide range of people who knit, and what else we do to “fill our time”. Much wonderful stuff ensued – I know I learned an awful lot about the varied and smart and interesting people in our knitting community.

Louise on the “KnitBritish” blog wrote a wonderful piece about the articles, about the ANDknitting hashtag, and the frustrations we feel in response to these ongoing use of stereotypes in the press.

We’re intrigued by the launch of Indie Untangled. This is a website dedicated to helping crafters discover hand-dyed yarn and fiber. It’s a combination of marketplace and information resource, allowing indie dyers to provide information about their yarns and fibers and where to find them. Dyers will post on the website when they are updating their stores, and with news about their products, and the Indie Untangled team will be writing a newsletter and blog post about products they’ve discovered and news and goings-on in the indie yarn world.

Helping however they could.

Although the heading of this blog post worried me (“Current crafts craze”? Oh no, here we go again…) I enjoyed this overview of the role knitting played in World War 1.

You don’t need to go to school to knit this… (booo!)

As part of the “Follow the Herring” program at Customs House, a group in Hastings UK has set up a series of workshops on maritime-themed knitting. The larger program is celebrating and explored maritime and social history, and is touring the east coast of the UK. The workshops, on everything from knitting your own fish & chip shop, to perhaps more practical gansey knitting, will be held at Stade Hall in Hastings through May and June. And even if you can’t participate in the workshops, you might enjoy knitting yourself this rather wonderful herring.

This week I sampled yarn for Kirsten Kapur’s beautiful Saranac Shawl.

Saranac shawl

Saranac shawl

First I spun all three fibers and plied them on themselves, 2-ply. The fiber is all from my stash dyed by Woolgatherings.


All three colors plied on themselves.

All three colors plied on themselves. Colors (L to R) 1, 2 and 3.

Then I combined colors while drafting and made a 2-ply.

First colors 1 and 2:

color 1+2 yarn

Colors 1 and 2

Then colors 1 and 3:

Colors 1 and 3

Colors 1 and 3

Colors 2 and 3:

Colors 2 and 3

Colors 2 and 3

And, of course, all three colors draft together:

All 3 colors

All 3 colors

I don’t much like any of the colors by themselves for this project. Of all of the combined colorways, I think I like colors 2 and 3 together. Well, what do you think? Do any of these yarns speak to you? Next week I’ll be knitting swatches and picking the colors for the shawl.


Happy Camper Fiber Retreat - all color

Happy Camper Fiber Retreat – September 19-21



Does all of this color-talk and sample get your spinning motor running? This is exactly what we’re going to do at this year’s Happy Camper Fiber Retreat - all color, all weekend!

Dyeing, carding and spinning color. Combining colors and creating your own colors. Three days in the Michigan woods with Beth Smith, Rita Petteys and me. There will be shopping, silliness and prizes. And spinning, lots of spinning. Won’t you come play?

We loved it from the minute we first saw it.

Lots of knitters have been appreciating Mary-Anne Mace’s beautiful Regenerate Shawl in our Spring & Summer issue.

In the introduction to the pattern, Mary-Anne told a story about her experiences with the earthquake in her home town of Christchurch, New Zealand.

This beautiful design was inspired by the regeneration of nature in the fact of such terrible destruction. In a recent post on her blog, Mary-Anne shows us pictures of the city in the immediate aftermath of the earthquake, and in later months as the regeneration began. The pictures are heartbreaking and beautiful.

Nature regenerates; hope amid the destruction.

In addition, because Mary-Anne is a helpful designer, she’s created some supplemental charts to help knitters with the project.  There are rows that have large numbers of knit stitches, and Mary-Anne has annotated the charts with stitch counts. The link is at the bottom of the post.




A prize-winning knitter.

Love this: the winner of the first and second prizes for ‘most outstanding knitted garments’ at the Hamilton Show in Southern Tasmania is 89-year-old Edna Jordan. The fact that she’s legally blind? A minor detail. Edna has been knitting for 80 years; losing her sight ten years ago hasn’t stopped her: she relies on touch and memory to keep her needles busy.


Wow. Just wow. Stunning. A group of knitters that calls themselves ‘Friends of John Grooms Court’ from Norwich, UK, have unveiled their latest art project – a 10-feet tall, six-sided pergola which boasts a wooden framework covered with knitted squares and hundreds of colourful flowers, leaves and wildlife. The display is made up of more than 10,000 items, contributed by knitters both local and distant; the group received contributions from all over the UK, and knitters in Canada and Italy participated. Perhaps the most precious contribution came from a 104-year-old knitter. The slideshow is wonderful.

A knitted boyfriend – warm and comforting, and sometimes that’s exactly what you need.

We’ve written about artist Noortje de Keijzer’s “knitted boyfriend” project before, but I was very amused to see the hand-wringing from this NY Post writer, who seems to be taking them seriously. Journalist Andrea Peyser declares them “creepy”, totally missing  the artist’s point about the simple comforts we seek (and get) from our partners.

Traditional cuteness!

We know it’s machine-knit, but we’re thinking that this adorable picture of little Prince George in his cardi will kick off a trend amongst new mothers and those knitting for them. How could it not?

So great.

I enjoy all yarn-bombing, but I love it best of all when it’s contextual and witty. A group called The Ilfracombe Knitting Bombers has claimed responsibility for a pair of legwarmers that appeared on a Damien Hirst statue in North Devon, UK, for April Fool’s Day.


Did you know that  there was a “Muppets” knitting book published in the 1980s? If I ever see this in a second-hand book shop, I’m buying it!


Gorgeous handspun shawl, Saranac

Gorgeous handspun shawl, Saranac

Kirsten Kapur released a beautiful new shawl pattern last week,  Saranac  that she designed for handspun yarn. I love the edging, different stitches and swoopy angles. I want to spin and knit this, it suits my spinning and knitting brain exactly right now. It is lovely and perfectly transitional. Plus I have a very long car ride coming up – Michigan to Florida for a diving competition. All things that make this shawl point to WIN.

Saranac, not handspun, but still beautiful.

Saranac, not handspun, but beautiful.

The first order of business is to stash dive. I came up with this mass of Woolgatherings fiber.

And narrowed it down to these three:

My three finalists

My three finalists

I’m going to spin them singly and combine them in various ways while drafting. I’ll be back next week with the results.

What are you sampling for this week?


The calendar says it’s Spring, but where I am Winter is fighting the change. Our friends at Bagsmith have a great solution for this still chilly weather – a chunky capelet

This wooly capelet is made from chunky merino and silk yarn and merino and silk felt. Knit on size US17 needles, it works up magically fast. Bagsmith is including the yarn, felt, pattern and even the needles in this giveaway. Want to win a cozy capelet kit? You know what to do!

Regular contest rules: leave a comment on this post between now and midnight eastern time, Sunday,  April 6th. One comment will be chosen at random to answer a skill testing question. If the commenter answers correctly they will win the kit from Bagsmith and Knitty. If you have already won a prize from us in the past year, please do give other knitters a chance. The value of this kit is $130US


Not strictly knitting, but absolutely fascinating: a history of pockets in clothing on the V&A website. Who doesn’t love a pocket?

If it gets muggles excited about knitting, I’m all for it!

A whole book on arm knitting, eh? Yes, really!

Happy-making: a pub in Edinburgh prides itself on community-minded events like knitting nights and dog-owners nights. If they combine them, Dexter and I will be there like a shot!

An important part of the story of the war.

On the Craftivism blog, a great round-up of links and stories about knitting and its role in WWII. I particularly like the little poem that goes with the appeal for 150,000 pairs of socks…

A nice profile of a knitter who uses the craft as a creative outlet, and as “a balm for the soul”. I like the quote: “I see it is a negative space activity where, if my brain is fried from doing something strenuous, I can sit down and do this.” Perhaps not elegantly put, but I agree with the sentiment – knitting can help you rest your brain. The knitter in question is male, so the usual threads about gender expectations are explored… I wonder if the journalist would have felt this story was worth telling if the knitter had been female?

I like to see all positive coverage of knitting, but the gender stereotyping wears after a while… This article in the Seattle Times speaks to the frustration many male knitters feel about these stereotypes. I love this quote from knitter Chuck Wilmesher, of Skacel Collection: “Get over it and try it and who cares what anybody thinks. I wish there was some way to make men know that it is not a woman’s sport.”

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