I worked with Lisa twice, editing her beautiful Darrowby cardigan, and the Glomerata sock. Although we were so very very different in working styles, and I am quite certain that Lisa found being edited by me a chore (my insistence on stitch counts and precise instructions is entirely counter to her pattern writing method), she was cheerful throughout the process and we nevertheless bonded. It was Lisa who insist I buy a spindle, at Rhinebeck.
Lisa’s patterns were special. They were sculptural. They were art.
Her work first came to my attention when Stephanie, the Yarnharlot, was making one of her designs. I laughed at Stephanie’s description of the madness, and laughed when I saw the pictures, but stopped laughing when I realized the work that had gone into the design. Yes, she made with the crazy; yes, she made with the insanely ornate and sculptural; yes, she made with flights of fancy like I had never seen before. But she also made them fit. We had many discussions about sock fit, and I loved the she paid attention to that detail, too.
But she wasn’t just a knitter. She was a spinner, she was a literary historian, she was a cookbook author.
Cancer is cruel. Cancer is heartbreaking. Cancer has robbed the world of a good person and a great imagination. And the knitting world is decided duller without Lisa and her flights of fancy.