In the latest Knittyspin column, Spring+Summer 2017, I talked about lightening a colorway at your wheel. I used a variegated colorway Godwood on Falkland by Into the Whirled, and lighten the colors a little by using white Corriedale from Louet.
One of the ways I used was drafting together Godwood and the white corrie to make a marled singles that I then plied together for a double marl The other way I used was by blocking, spinning first the colorway and interspersing white every so often in the singles that I then plied together.
The samples looked lighter over all, with varying amounts of flecks of white Corriedale. I used a combination with high contrast so I could really see what was going on in the yarn.
I keep thinking about these samples and wondering what would it look like if I used one ply of the manipulated yarn (drafting together or blocking) and one ply of the colorway by itself. It’s been bugging me for months, and I finally did it.
I like it. I think I like it better with this high contrast combination. It’s not as jarring, visually, but I’m not one for high contrast marls in general.
Here’s a closer peek. What do you think? Is it something you’d add to your dyed braid spinning tools?
Jillian is the author of the best-selling spinning book Yarnitecture. She is the editor of Knittyspin and Developmental Editor for PLY and PLY Books. She kinda loves this spinning thing and wants everyone who spins to love it too, so she teaches and writes a lot. She knits, weaves, and stitches and tries to do as much of it as she can with handspun yarn. She's always cooking up all kinds of exciting and creative things combining fiber arts.
She likes her mysteries British, her walks woodsy, and to spend as much time as she can laughing.
Spy on her on her website jillianmoreno.com