This week is “Not Strictly Knitting But Entirely Awesome”: Man spends six years crocheting a Super Mario blanket. I think what I love most about this is that Norweigan crocheter Kjetil Nordin admits he wasn’t working on it consistently… there were other projects in between. So yes, even the ‘craziest’ crafters have problems with UFOs… in his own words
(New ambition: I want to establish a Knighthood for services to Technical Editing… I’m sure we can make that a thing, no? ;-))
Ooh! If you’re in the Glasgow area, or can get there, the last weekend of August, you should really consider attending this year’s In The Loop conference. The theme of this year’s event is ‘From Craft to Couture’, exploring the craft origins of Scottish knitwear and its current status as a key element of designer collections worldwide. The 3-day event will feature talks from leading knit and textile researchers and knitwear designers and entrepreneurs.
And it’s not all scholarly: there will be a fashion show and market place, too!
Painstaking restoration work.
Absolutely fascinating and jaw-dropping: an article about conservation of a Victorian-era theatre costume. The garment was partially knit and partially crocheted, all by hand, but the most remarkable feature is the decoration. Those aren’t plastic pailettes: there are over 1000 actual real beetle wings sewn onto the garment.
A team led by conservationist Zenzie Tinker spent over 1300 hours on this garment, worn by Ellen Terry, one of the most celebrated and glamorous actresses of the Victorian age, when she played Lady Macbeth at London’s Lyceum Theatre in 1888. She was painted in the dress by John Singer Sargent. The newly restored piece is on display at Smallhythe Place in Kent, U.K.
I actually think this a fantastic idea, and really wonderful, but the less mature part of me also just wants to have fun making up silly captions for this photo.
You might recall that Knitty published a pattern for charming if not entirely anatomically correct a Womb stuffie… here, we find documentation on what is likely the original knitted uterus pattern, conceived (see what I did there?) as a teaching tool.
Yup, that’s author Neil Gaiman, modelling a scarf designed by Joan of Dark. Joan has just released a book, Geek Knits, and it’s full of fun and geeky knits of all stripes and fandoms, modelled by all sorts of fun characters and people from the ‘geek-iverse’. Yes, that’s right, other nerd-heroes in knitwear. What’s not to love?
I worked with Lisa twice, editing her beautiful Darrowby cardigan, and the Glomerata sock. Although we were so very very different in working styles, and I am quite certain that Lisa found being edited by me a chore (my insistence on stitch counts and precise instructions is entirely counter to her pattern writing method), she was cheerful throughout the process and we nevertheless bonded. It was Lisa who insist I buy a spindle, at Rhinebeck.
Lisa’s patterns were special. They were sculptural. They were art.
Her work first came to my attention when Stephanie, the Yarnharlot, was making one of her designs. I laughed at Stephanie’s description of the madness, and laughed when I saw the pictures, but stopped laughing when I realized the work that had gone into the design. Yes, she made with the crazy; yes, she made with the insanely ornate and sculptural; yes, she made with flights of fancy like I had never seen before. But she also made them fit. We had many discussions about sock fit, and I loved the she paid attention to that detail, too.
But she wasn’t just a knitter. She was a spinner, she was a literary historian, she was a cookbook author.
Cancer is cruel. Cancer is heartbreaking. Cancer has robbed the world of a good person and a great imagination. And the knitting world is decided duller without Lisa and her flights of fancy.
Courtesy of BoingBoing, a history of yarn in video games, on the occasion of Electronic Arts’ announcement of its latest game, Unravel. In the words of BoingBoing’s writer, “you play as a tiny yarn character that slowly unravels as it moves through the level. Although that sounds a little like a metaphor for the slow but inexorable march that we are all taking towards death, in Unravel this thread is a versatile tool you can be use as a climbing rope, grappling hook, trampoline, fishing line, and whatever else the game can imagine.”
Love the creative thinking that has gone into this – of course you can draw pictures with a knit fabric, so this is a natural (if slightly crazy) extension of that.
Well, this is what I’ll be wearing this winter: a Torus Knot cowl. Knitter and mathematician Sarah-Marie Belcastro has been at it again, and her latest design is this beautiful and witty and clever little piece of topology – and gorgeous winter accessory. This post on the Scientific American blog explains the mathematics and the knitting very nicely.
Sheep on North Yorkshire Moors. Image courtesy Google and GoogleSheepView.
And if you need something a little less ‘thinky’, soothe yourself with GoogleSheepView… a tumblr of images of sheep found on Google Street View. Some fantastic ‘found’ art.
Love these! Yes, it seems like all grocery stores offer reusable bags for sale, but only Waitrose is offering a wooly one. There are two styles, and they are available at two of the central London locations of this upscale supermarket in the UK. They’re made with the wool of the rare-breed Whiteface Dartmoor sheep, one of the UK’s oldest indigenous breeds. Gorgeous and practical.
Really enjoying this blog series about designing and publishing, from gifted designer Kate Davies. Part One.Part Two.Part Three. She writes about the whys and wherefores, and the challenges and rewards of deciding to self-publish, as an independent designer, and highlights some who are self-publishing.
This is amazing. Seriously. Lisa P‘s version of my Bigger on the Inside Shawl. She used a wonderful variegated yarn for the lace portion, and then added her own lower edging… the Fourth Doctor’s scarf.
Today in Not Strictly Knitting: A Canadian couple, Toshiko Horiuchi MacAdam and Charles MacAdam of Nova Scotia, has created a crocheted playground. The installation of hand-crocheted hanging nets is one of a series of playgrounds they’ve created. This version, called Harmonic Motion, is open for viewing and climbing upon at the Toledo Museum of Art in Ohio.
Our own Amy will be joining the team at Shall We Knit in Waterloo for their annual World Wide Knit in Public celebration that weekend. She’s also teaching a couple of her popular and fun classes. More info here.
A little further along in the year, but still close enough to start planning, the Great London Yarn Crawl has announced a bigger and better event for their third year. In addition to the crawl, Saturday September 5th, there will be a pop-up marketplace at Chelsea Old Town Hall in central London, serving as the kick-off point for the Yarn Crawl and featuring over 30 indie makers, designers and artisans from London and around the UK. And stay tuned for news of special guests…
I do it all the time as a designer: I stalk my own patterns on Ravelry. I love seeing what yarns knitters have chosen; I adore seeing different versions and interpretations. And it makes me so happy to see my work being work, appreciated and loved all around the world.
And sometimes I have fun stalking Knitty patterns, too, for our Knitty Friday WIPs and FOs roundup. I love browsing through the projects for an issue to see what’s catching on, what knitters are enjoying making, and how a project is being received.
But something we’d never done until this week was browse all Knitty projects. Ravelry has this wonderful feature: you can see all the projects associated with our publication, from all issues.
As of Wednesday 3pm or so, there are 431,671 of them. It’s amazing and gratifying and wonderful.
Knitted music video of the week: Much less sad than last week’s, I promise! In which a yarny-girl starts her day. Cleverly created by artists Janey Moffatt and Adam Clements for artist Benbo, and entirely cute.
Sylvia and her husband, hitting the road
Author, knitter, designer and master storyteller Sylvia Olsen is partway through her “Great Canadian Knitting Tour“. She started May 1st in Victoria, B.C., and will reach St. John’s Newfoundland June 15th. Along the way, she’s visiting yarn shops, teaching workshops and telling stories about her life and the lives and work of the Coast Salish knitters of British Columbia.
Sylvia’s objective is to meet as many people in the Canadian knitting community as possible. To exchange stories about knitting and knitters in Canada. She’s visiting book shops, yarn stores, libraries, museums and private homes across the nation. When it’s all over, Olsen will share her discoveries in Knitting Stories II, the sequel to her best-selling recent collection of essays, Knitting Stories: Personal Essays and Seven Coast Salish-inspired Knitting Patterns.
A little bit of tasteful self-promotion: as a follow up to her book about Pattern Writing, our own Kate (that’s me!) is running an interactive online course on Pattern Writing. Suitable for designers of all levels who wish to write instructions for their knitting project, this class guides you through the entire process of writing a pattern – from the actual instructions through to the test knitting, technical editing and publication process. The class is all about discussion, and there will be exercises and activities focused on helping you develop your own style and style sheet, and getting you well on your way to writing patterns. If you’ve got something you need help writing out, or you feel your existing patterns need a bit of improvement, this class can help. Bring your questions and be prepared to chat and share and discuss with me. It starts May 30th and runs to July 12th – work at your own pace!
Image from The Northern Echo website.
Yarnbombers have struck Saltburn Pier in the UK again. This pier has seen many wonderful installations in the past – including an amazing one for the London Olympics, but this year’s Alice In Wonderland-themed work may be my favorite. This year marks the 150th anniversary of the publication of the book.
The show, focused on artists inspired by Doctor Who, Star Wars, Steampunk, and Superheroes, explores the intersection of art with cultural subjects that inspire devoted “fan” followings. A Whole Other World features a variety of objects and images, from quilts to prints to sculpture – either works directly inspired by these themes, or by the winding of these kinds of topics in-and-out of popular culture,.
I’m excited because it sounds absolutely amazing. Oh and also, the original Bigger on the Inside scarf is part of the show.
This week’s thought-provoking discussion: “What Is Your Cost of Making?” Looking at both the cost to the knitter in the retail store, and the larger issue of cost all along the production cycle of the materials, this blog post addresses head-on the question of how much we’re willing to spend to make a sweater.
Anecdotally, I see an interesting divergence in the way knitters think of the cost of the materials: is this an item of clothing, and should the yarn cost be considered in the context of a ‘clothing budget’, or is this a hobby, and is the yarn cost considered more in the context of ‘entertainment value’? Some of this is driven, of course, by the knitter’s available budget, but it seems to me to be an interesting demonstration of the shift in how we “use” knitting – we’re not (just) doing it because we need clothes. Many knitters do it because they want ‘entertainment’, or the satisfaction of making, or to express a creative impulse – and the money considerations become very different. Although paying $30 for a pair of socks is unquestionably outrageous, that figure can feel a little different if you consider the value of a couple of week’s worth of crafting pleasure and the satisfaction and comfort of making a custom-fit item that you are proud to show off.