WWW: Knitting Leads to STEM, Spider Silk, Crochet for Preemies and Knit Ithaca

An article making the rounds this week talks about how knitting can foster the love of math and science in girls (and boys) and get them excited about STEM careers.


This editorial talks about looking and knitting ahead, and finding unexpected common ground at at yarn shop.


I love this story of how a crocheted octopus can help a premature babies thrive in the NICU. The Danish Octo Project has being crocheting octopi for babies since 2013. Here’s a pattern they recommend.


Image from Bolt Threads

Image from Bolt Threads

In science is amazing news, Bolt Threads has figured out how to create spider silk in a laboratory. Cool, no? The bad news, right now, a tie woven from spider’s silk costs $314.


Laura Nelkin always has the best ideas! She and our own Kate Atherley are having a knitting retreat November 10th-13th in Laura’s hometown of Ithaca, New York. You can find more info on Laura’s website.

 


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New To Me Fiber: The Homestead Hobbyist

logoI was introduced to Ken of The Homestead Hobbyist and his delectable fiber at the Madrona Fiber Arts Retreat this year. To say that I fell hard is an understatement. I went back to his booth at least four times to buy fiber and sent many, many people to shop at his booth. It is only becasue I was on a strict budget that I didn’t just empty his booth into my suitcase.

 

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L to R: Dyckia, Nevertheless She Persisted, Eye Witness

 

Ken does amazing things with color, rich and earthy without becoming muddy. He also has the most unusual blends of fibers that I’ve ever run across. He takes very particular care of his fiber when he dyes it. Even the finest of the fibers are ‘shake and spin’ ready, not one of the fibers I bought is compacted.

Here’s what I bought, I am so excited to spin them that I am almost hesitant, but I know it is foolish to save them becasue Ken is always dyeing more.

In the photo to the right, left to right: 50% Rambouillet/50% Yak color: Dyckia; 50% 14.5 micron Merino/50% Cashmere color: Nevertheless She Persisted; 37.5% 18.5 micron Merino/37.5% Shetland/25% Mulberry Silk color: Eye Witness.

 

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L to R: Wounded Ranger, Truffle Hunting, Sinningla

 

In the photo on the left from left to right: 50% Rambouillet.25% Yak/25% Mulberry Silk color: Wounded Ranger; 37.5% Rambouillet/37.5% Mulberry Silk/12.5% Max Loaghtan/12.5% Black Welsh color: Truffle Hunting; 50% Rambouillet/25% Black Welsh/25% Llama. The blends, the blends!

After Madrona Ken had a big booth at Stitches West, he is slowly refilling his shop. Keep checking to see what’s new; I did see some Yak/Silk and Merino/Cashmere there today.

 

I have very specific plans for some of these fibers, the others are still waiting. I do know I’ll be buying more of this fantastic fiber. Are you already a Homestead Hobbyist fan or is Ken a fiber artist that’s new to you?

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WWW: Mathematics, Pink Hats, Edinburgh Yarn Festival, WEBS Spinning Retreat

LOVE LOVE LOVE THIS: A BBC Radio 4 segment on how knitting and mathematical principals relate. Featuring bonus sock chat.


webs logoWell, this is exciting! Our own Jillian is very happy to announce she’ll be teaching at WEBS’ first Spinning Retreat. The event, scheduled for September 29- October 1 also features beloved teachers Beth Smith, Amy King and Abby Franquemont. More info here.


Fab interview with Pussyhat project co-founder Krista Suh, in Paste Magazine. What’s wonderful about this is to see coverage beyond the usual craft-focused outlets.


A knitter in Brighton, UK, is seeking assistance from local knitters to help her create a double-decker-sized picture of one of Brighton’s famous piers. Designer Nina Dodd (a.k.a The Duke of Woolington) has joined forces with local bus operator Brighton & Hove Buses for this venture. It requires 5,000 10cm squares, in nine different colours, and they will be assembled and displayed on the side of a bus, driven around town for all to enjoy! Nina is hoping to recruit local knitting bus-riders, but will be happily for all contributions, I am sure.

This isn’t Nina’s first bus-related knitting project. It’s worth clicking through to the article to see her bus-seat-cozy-sweater project, that she created for a fashion shoot.


It’s the Edinburgh Yarn Festival this weekend. Are you coming? I’m going, and I couldn’t be more excited! I’ll be doing a book signing at lunchtime on the Saturday in the Purlescence booth. Come and say hello!


Book Giveaway: Dyeing to Spin and Knit by Felicia Lo

Felicia Lo, the founder and queen of color at Sweet Georgia Yarn has written a fantastic book about color for dyeing, spinning and knitting. It is really good, one of those ‘don’t think, just buy’ types of books. Thanks to the folks at Interweave, we have a copy of the book to giveaway!

Below is my review of the book from the latest issue of Knitty and below that are the rules for our giveaway. Good luck and happy playing with color!

 

Dyeing to Spin and Knit

Dyeing to Spin and Knit

Dyeing to Spin and Knit:Techniques and Tips to Make Custom Hand-Dyed Yarns
by Felicia Lo
Interweave
$26.99

All.The.Color. Want to dye color? Check. Want to spin color? Check. Want to knit color? Check. If you are a fan of dyeing, spinning or knitting and have even the slightest interest or hesitation about color, you need this book. Felicia Lo has been dyeing expertly and vibrantly for her company Sweet Georgia Yarns since 2005, so she knows a thing or two about how to make, combine and manipulate color.

She starts this color journey with defining color, the color wheel, terminology, and how color affects us. There is a lot of information in this section but it’s broken down to small, easy to mentally digest bites.

There is no one I’d rather have explain dyeing to me than Felicia Lo. She uses 50 pages to teach about dyeing, the types of dyes, how to dye, setting up a studio, safety, prepping your fiber and yarn and techniques. Dyeing techniques are not usually something a working dyer likes to share, but Felicia lays it all out, with photos and formulas – low-water immersion dyeing, spinkle dyeing, how to make formulas for variegated colorways, hand painting, how to dye self-striping yarns, gradient dyeing, using resists, dyeing in a ball and the all-important troubleshooting what didn’t go quite right. She even talks about keeping track of dyeing with both notes and physical samples.

Chapter three is about spinning color when working with variegated colorways, what affects color as it’s spun, how to control the length of color repeats, controlling color transitions, mixing and blending, fractal spinning, making and spinning batts, and spinning textured yarns. If you are thinking that this is just her Craftsy class, nopethere is so much more here.

Then Felicia dives into teaching about knitting with variegated yarns: about yarn weight, gauge, managing color with stitch patterns, mixing and blending colors in knitting, and an excellent section on pooling.

Felicia is an expert and a technically detailed fiber artist, but this book isn’t overwhelming or stuffy. She explains things with just enough detail to understand and replicate and has that friendly tone that encourages you to step out of your comfort zone color-wise.

She caps it all off with 11 accessory patterns to try out everything she’s laid out in the book. On first flip through, you might say, “oh that’s pretty. I want to knit it in exactly those colors.” Here’s what happens when you get to this point after reading the book: “well, I think I might like to change the whole colorway or at least manipulate the colors so they work like this”. You get the idea.

This book will change how you think about and use color.

 

Our usual giveaway rules apply. Leave a comment on this post between now and midnight eastern time, Sunday March 12, 2017. One comment will be chosen at random to answer a skill testing question. If the commenter answers correctly they will win Felicia’s new book.  Giveaway value $26.99.

WWW: A Sweater of Historical Significance; Algorithms; Pussy(c)hat

A modern example of the sweater. Image courtesy the Kickshaw Productions blog.

A modern example of the sweater. Image courtesy the Kickshaw Productions blog.

The history of an iconic Canadian sweater – the Cowichan, cribbed by Mary Maxim for their curling (or tractor or hockey or other icons of the time) sweaters. In 2011, the Cowichan sweater was designated by the Government of Canada as being of “national and historical significance”.


Fascinating and clever: In Finland, young children are taught the basics of working with a computer – without a computer. Knitting needles are pressed into service, as part of an overall approach to teaching algorithmic thinking and processing. One could equally say that you’re teaching knitting when teaching programming, as the instructions are indeed expressed (or if the pattern is written in a logical manner) as an algorithm.


There has been much chat around the internet – including on this blog – and in yarn stores about the phenomenon that is the Pink Hat. Many many thousands of hats have been worn and made – including by Kate and Jillian of this very blog! Much of the discussion has been around what the hat represents politically. There have been discussions about what the hat represents physically, too; not a few have been confused by the shape. No matter what side of the debate(s) you’re on, an online discussion panel to be held this Saturday is sure to be of interest. Hosted by PomPom magazine this coming Saturday, the chat will be recorded live and then archived for later viewing. The participants come from a variety of craft and activism-related backgrounds.


Models at the Missoni runway show. Photo: Jacopo Raule/Getty Images.

Models at the Missoni runway show. Photo: Jacopo Raule/Getty Images.

And further underscoring the message of the hats – and its longevity – all attendees at the recent Missoni runway show at Milan Fashion Week were given their own pink hat, and more than 40 models on the runway were outfitted with them.  It’s a fantastic sight!


Equally fantastic: I’m in the UK at the moment, on a mini-teaching tour. I visited the V&A museum, as I always do, and was bowled over to see a hat and its story on display. They have a “Rapid Response” collection, which aims to gather and document items of current social significance. Whether you agree with the hats and their message or not, I think you can’t help but agree that they are an item of significance.

A pink hat. In the ‘Rapid Response’ collection here at the V&A. Verklempt. We did something important, guys.

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Spiral or Boucle?

Spiral yarns

Spiral yarns

When I teach my Further Adventures in Plying: Texture and Color class the class usually divides their love between two yarns. We cover four yarns in this class Crepe, Cable, Spiral and Boucle, but one of two yarns usually steal the hearts of my students – Spiral or Boucle. In this class we work on the structure of making the yarns first using a natural or a solid colored fiber, then in the afternoon we add in layers of color, variegated fibers and sparklies while practicing getting the structure just right.

 

Boucle yarns

Boucle yarns

 

I just taught this class at the  Madrona Fiber Arts Retreat in Tacoma and everyone had the love for boucle. I’m teaching it next at Yarn Fest in Colorado (there’s still room in the class if you’d like to join us), which yarn will be the winner this time?

Which is your favorite? What do want to know about spinning these yarns?

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Obsession Thursday: The knitting ecosystem

It’s like this:

Knitters consume yarn (hallelujah for yarn!).

Yarn is created by mills (both big and small), and dyed commercially or by independent artisans, for knitters to consume. At the same time, other fabulous things that knitters love, like stitch markers, needles, bags, inventive accessories and other things we don’t even know about yet are created by other entrepreneurs and established businesses.

Designers, whether professional or amateur, established or brand new, create patterns that allow knitters to use yarn and the goods that go with it, in order to create exciting handknitted items that would not otherwise exist.

Magazines (like Knitty) and books offer patterns and instruction to help knitters find the next thing they want to knit, and to knit it with less stress and frustration. When a project is bound off (and often before!), the cycle starts over and over again.

It’s the knitting ecosystem, and Knitty is very proud to be a part of it.

Thanks to our Patrons, Knitty continues to be a financially viable company who can pay its staff and contributors properly. And because we now are able to, we’re reaching out to help another branch of the knitting ecosystem by cutting ad prices for the first time in our history. This means more companies and creators have access to our readership for less money. Our ad prices now start at $60/issue.

Since sharing fiber-related products and services with our readership is a big part of why we exist, we’re thrilled to be able to do this. Would you help us spread the word? Just tell someone (or even someoneS) you know who might be interested in advertising with Knitty about our low rates. Send them to this page for all the details.

Thank you for being part of the knitting ecosystem. We send our gratitude and love.

WWW: Long Voyages, Celebrity Knitters, 13th Century Mitten

Image taken from the article, with full credit.

Image taken from the article, with full credit.

Amazing: a study of a 13th-century fabric fragment, believed to be part of a knit mitten – colourwork, no less!

It is rare for fabrics of this age to survive, and so this is particularly notable.


As seen in a 1938 issue of Photoplay magazine, Joan Crawford hosted regular knitting parties! (Staged knitting photoshoots remain the same, 80 years later…)


We knew that actor Krysten Ritter (of Jessica Jones fame) is a knitter, but we didn’t know she was a designer as well! She’s launched a kit for a gorgeous chunky cowl.


Williams Gansey Project leaders Astrid Adams and Janice Snowball pictured with Clive Grey, skipper of the Blyth Tall Ships project.

Williams Gansey Project leaders Astrid Adams and Janice Snowball pictured with Clive Grey, skipper of the Blyth Tall Ships project.

Historians are planning a rather remarkable sea voyage for 2019, and are seeking knitters to help. The voyage, from Blyth in north-eastern England to Antarctica (!), is to commemorate the 200th anniversary of the voyage of local resident William Smith who discovered the continent, but was never credited. The team undertaking the trip seek to do it in conditions as close as possible to the original: they’re travelling in a tall ship, and are planning to wear traditional gansey sweaters, which is why they need knitters. Funds have been secured, and the team is looking to have between 70 and 90 sweaters made.


Speaking of long voyages (not really!) our own Kate is spending three weeks in the UK as of today, teaching classes in a number of spots. I’ll be at The Sheep Shop in Cambridge, Purlescence in Berkshire, at Knit With Attitude in Stoke Newington, and at the Edinburgh Yarn Festival. Perhaps I’ll see you at one of those events?

Madrona: The Haul

I am just back from Madrona, filling up on tea and willing my brain to make the shift back to eastern time from western time. I had an amazing time teaching and my students were fantastic, fun, smart, and I almost got them to dance with me. We did have a disco sing-along in one class.

I will not pretend that today, a fake Monday for many (yesterday was a holiday celebrating presidents Washington and Lincoln) that you are remotely interested in anything, but seeing what I bought and clicking on the links.

Fiber,fiber, fiber, yarn!

Fiber,fiber, fiber, yarn!

All but two braids of fiber are from people and companies that are new to me.

My repeater in the lower left is Woolgatherings. Two braids of 50% alpaca/50% silk. King of All Weavers, John Mullarkey,  showed me his and I had to have some.

The two bundles of roving above the alpaca and the two natural yarns in the lower right are from Abundant Earth. Just go look, don’t send me the bill. They have free shipping until the end of April.

The green yarn (Rambouillet naturally dyed with indigo) and the bump of roving (Finn and Angora) above it are from Local Color Fiber Studio on magical Bainbridge Island.

The mug with stockinette stitch on it is from Creative with Clay. I almost didn’t buy one because it was so hard to pick.

I’m tip-toeing around the elephant in the haul – the red yarn next to the alpaca and the 7 (!) bags (there’s a braid in each) are all from Homestead Hobbyist. I have not be this excited about a new fiber company is long time. I went back four times to their booth and compelled many people to buy from them. The blends, the colors, all of it was irresistible.  I will release the fiber from the bags and do an in depth viewing after Ken gets back from Stitches West and has his shop refilled.

Does that help soothe this almost Monday?

I will be writing more about Madrona and my classes tomorrow over on my personal blog. Now, I need to get spinning!

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WWW: On the Value of Making, Designing and Persisting

Although the focus on this article is getting children to be creative, the message about the value of making applies to all ages!

It feels so fundamentally good and right to use our hands to manipulate materials – to use tools to extend our ability; to put stuff out into the world.


The Craft Industry Alliance reports that both the size and scope of the craft industry have grown significantly since 2011. We can conclude, I think, that many are coming to understand the value and pleasure of craft.


Loving the cover of last Sunday’s New York Times Magazine.


I really enjoyed reading this report from Clara Parkes’ Knitters Review about the most recent American Sheep Industry professional meetings.


I’m very keen to watch a new documentary series, premiering on Netflix. Abstract: The Art of Design tells the stories of eight different ‘professional creatives’ – an architect, an illustrator, an interior designer, a stage designer, a graphic designer, a car designer and a shoe designer. The episodes document the work and workspaces of these artists.


A chart, suitable for embroidery or cross-stitch, courtesy Kim Salazar. Click on the link to download a larger verison.

I also very much like this version of the quote as a cross-stitch chart: it’s a bit more modern in approach, with bonus pink hats! H/t Kim Werker who told me about it, and it was designed by Haley Pierson-Cox of The Zen of Making.